英文影评怎么写初二四十词的单词_英文影评怎么写初二四十词的单词和句子

1.用英文写影评。可以是卡通，动漫或者**。

2.侏罗纪公园英文影评

3.求疯狂原始人和怪兽大学的英文影评，初二水平，每篇大约100字左右。

故事的主人公格雷是一个念初中的半大小子。他善良、诚实、聪明、爱玩，满脑子的鬼点子。他的妈妈让他记日记，他除了松散地记述了有趣的或难忘的事情外，还画了许多。这是一本与涂鸦加上文字说明的另类日记。在日记里，格雷记叙了他如何驾驭充满冒险的中学生活，如何巧妙逃脱学校歌唱比赛，最重要的是如何不让任何人发现他的秘密。

The protagonist Gray is a window boy in junior high school. He good, honest, intelligent, love to play, a head full of GuiDianZi. His mother told him to keep a diary, besides his loosely describes the interesting or unforgettable things outside, still painted many cartoons. This is a comic and graffiti plus text alternative diary. In his diary, gray tells him how to harness full of adventure, high school life, how ingenious escape school singing competition, the most important is how to don't let anyone found his secret.

用英文写影评。可以是卡通，动漫或者**。

Dreamworks first big foray into the 3D animation genre proved to be successful with Antz, a beautifully rendered adventure that sparkles with comic dialogue and fantastic special effects. It came out the same year as another big bug movie, Pixar's a bug's life, but this one was out the gate first, and set quite a high standard on its own. This one is for an older crowd, as some of the jokes are sophisticated (relatively), and there's a dash of PG-rated language, as well as a few deaths of characters throughout. However, for kids that are inured to regular television fare, they'll probably watch and enjoy this as much as the adults do.

Smart and funny, Antz is worth every penny of the price of admission for the sheer ingenuity involved, not only for the special effects, but for the zany conceptual story as well.

2

At many times Antz goes for humor, but it doesn't work. So what is the film? Action? Adventure? Drama? Pornography? I'm gonna he to go with pornography out of all the options listed. Think about it, man. All the ants are naked and often you see them corting around, dancing. Though I do not know if people ually aroused by insects exist, the Internet has taught me never to dou the existence of a possible fetish. The animation goes for a vague roximation of human faces, with the addition of making those human faces similar to the celebrity voicing them. So Woody Allen's looks like Woody Allen minus the Asian girl cum constantly all over his fingers, Sylvester Stallone's looks like Sylvester Stallone, etc. This is the closest we will ever get to seeing a lot of these people naked, from Fucky Allen to Jane Curtin to Sharon Stone (hahahaha, no, I'm kidding). It's conceivable people wack off to this shit. I mean, people jerk it to Avatar: The Last Airbender, this is not out of the realm of possibility. The thing is, though, Antz isn't even good at being porn. Not once does Sharon Stone/the Princess spread her several legs. Woody Allen is never face deep in some Asian ant's snatch either. Come on, Dreamworks. Give the people what they sorta want!

3

I just saw ANTZ

I was shaking in my seat I was so excited by this film. The film caused those… giggles… you know the type people in film claim you get from smoking pot, but you he never seen pot-smokers get. Or maybe you he, but I hen't. Anyway, that stereotyped (heheheheheheheheheheee) sorta sound.

I'll tell ya about this day.

I woke up late, after getting to sleep very early last night. I was tired as hell, hadn't slept for about 37 hours before that, and needed sleep badly, my speech was slurring and inanimate objects started dancing around and talking to me. When that begins hening… rest is the cure, unless you like that sort of thing in which case you continue staying awake.

Did some site updating, hooked up with Tom Joad, got Sister Satan, and we (Dad and I) all headed off for the Driskill to get tickets and passes for the AUSTIN FILM FESTIVAL. There were of course some problems, there always seems to be when registering for film fests, but hey… it's the turf. In fact this time it was so messed up that I'm gonna he to get there early tomorrow just to fix it. Sigh….

Because it was so late we didn't eat, so though we were all starving we headed to the theater to get our place in 'the line'. Of course all the 'line people' were there, but most were unenthusiastic about this film. Me… I'm bouncing off the walls with excitement. Why?

You know it seems like it was just a couple of months ago that DREAMWORKS SKG was formed. It sure as hell doesn't feel like 4 years. Sheesh. To me, when it was brought into existence the most exciting aspect of the 'dream' was high grade feature animation NOT by Disney or Bluth. I really he to say that. I love those two, but how many times do we he to see the fairy tale with cute animal sidekicks, goofy villian and annoying songs (though sometimes I really like the songs).

Why couldn't the animation business grow up? How come it reached it's maturity as an industry with SNOW WHITE? It hadn't really evolved. The formula left basically unmarred. With Katzenberg, I had faith. Why? Because I felt he was a strong presence behind the modern age of Disney and in his 'arc' of films there, you could see a change in what animation was meaning. You could since a tonal difference in the slow burn.

When I first heard of ANTZ it was merely a script sitting in a pile of scripts that needed reading. The authors were Todd Alcott and Chris Weitz. Two people I didn't know or respect really. It sat there at the house for about 3 months, then I heard on like Variety or Hollywood Reporter that Woody Allen was cast in the lead of DREAMWORKS and PDI's premier CGI animated film entitled ANTZ.

I dove into the pile and came up with the script. I read the first two pages and died. It was the best Woody Allen dialogue in ages. It was killing me. So I ran into the living room and got Dad and started reading the script out loud in characters' voices. I did Woody Allen perfect (p.s. I do character voices and mannerisms… it's annoying) Dad and I howled at the script it was brilliant. It was actually a very smart take on SPARTACUS. It was a liberal doctrine about the strength and rights of the individual. It was the perfect vehicle for Woody. The film he could never make. Written by two people that must he loved him and his films, but dreamed a far bigger scope than Woody tends to think in.

So I sat there and wrote it up for the site, I talked about the script about how hysterical it was. I wrote sample dialogue from the opening scene for the site, I've been slobbering for this film for a year. People like Copernicus and my sister were very very skeptical about my love for this film. Hell, I've been labelled a DREAMWORKS SELL OUT for openly embracing the film. Whatever.

Anyway as the first reviews started to pour in I began getting a smile. People were loving the film. God I hoped this would… work. I really really really wanted the movie to work.

That cast was revealed, Dan Akyroyd, Jane Curtin, Anne Bancroft, Woody Allen, Jennifer Lopez, Gene Hackman, Christopher Walken, Sylvester Stallone, Sharon Stone, Danny Glover, Paul Mazursky, etc…

Wow.

So tonight… tonight I was soooooo excited to see this flick.

PERFECTION.

I can't imagine not watching this film compulsively. This is Stallone, Stone, Woody, Lopez and Aykroyd's best film. As a film geek I do love this film more than Annie Hall. Why? Well, because it's fantastic dialogue, involving multi-starred cast, made for the intelligent film goer that in addition is pure friggin eye candy.

The concept that this film is only an hour and seven minutes is mind numbing. They fit soooo much into it. There is not a wasted second, every character is so cool, every shot is so beautiful. God, this is cool.

Is it better than TOY STORY? Well imagine comparing THE WIZARD OF OZ to EXCALIBUR, they are fantasies, but ya know… they aren't eeeeeven the same genre.

When I was talking with Katzenberg about ANTZ and P.O.E., he was talking about treating it like live action features. He did. Watch the beautiful slow fades, the P.O.V. shots, the steadicam shots, the crane shots, the film isn't treated like an animated film in it's technical areas. And for a lot of the film, I forgot it was animated. I thought of it as merely a great movie.

In my review of A BUG'S LIFE, I talked about really wanting to love that film. I did. I he always felt that it was important to want to love any and all animated films. Thinking about A BUG'S LIFE and I get a smile, I did he a lot of fun with it, and there is always a place for that type of film, but ANTZ is a different type of animated film.

It's not cutesy and it's not Bakshi, it's… Dreamworks. This is their first 'style' film. A movie that identifies a belief system in story-telling. Here's what I mean.

In ANTZ, there is never for one moment a talk down to the audience. In a way it reminds of the original theatrical Warner Brothers LOONEY TUNES in that respect. It's a film that was made to entertain adults first and foremost, but that also grabs kids. Disney's animated films on a whole he played for kids, the darkest aspects excised or washed over by a big comedic moment. The notable exception of this was PINNOCHIO. That film had real horror, real danger. Now I'm not advocating for ALL ANIMATION to go in this direction. Instead, I'm saying this is a great road for Dreamworks… DREAMWORKS to follow.

This is kinda important. It's kinda like the difference in musicals between MGM, WARNERS and COLUMBIA. They weren't alike, they were each distinctively different.

The other big in ANTZ's for is the fact that the people behind ANTZ actually thought about what it was to be an insect. They researched the bugs, found out what they did, and they built this world around that. They thought about how time would exist for a bug, how water would act, how a human would be seen, how trash would ear, how war would be seen, how a 'colony' brain would think. And it's all done with the absolute greatest attention to detail. Everything from lighting to textures to… well the characters themselves. Everything is just so right.

I love the film. I'm not saying this is better than Disney animation or Pixar animation, I'm saying this is a new place for animation. It's for us folks that grew up with the great work DISNEY has done, and now… well now we he a new type of animation entertainment for us, that isn't crude, that isn't childish, but rather it's treated like the best of live action films. I wouldn't be surprised if this film got a nomination for screenplay if it were pushed.

You he a lot of cool entertainment this weekend. Whatever you do, be sure to enjoy yourself.

4

The computer animation was wonderful, though not worth the hype. The humor is excellent; on an adult level, but not unsuitable for children. There was quite a bit of humor that kids just will not understand. I viewed “Antz” with a group of middle school kids. The guys hated it (boring, slow and too much romance) but the girls liked it. I sat near several smaller children and heard very little laughter from them.

If you do intend to take small children, there is a battle scene that is quite intense and involves many dismembered ants. Go see it, but lee the little ones with a friend.

侏罗纪公园英文影评

《Forrest gump》（阿甘正传）

Life is like all kinds of chocolate, you never know which belongs to you. "Gump mother's words, told us: everyone's life is there, and it is unique. Forrest gump, is listening to such teachings, one step at a time to step out of his own miracle of life. From IQ only 75 points, to go to special schools, to football athletes, to the Vietnam war hero, the shrimp boat captain, to go around the United States, forrest gump dependde on his birth defects, achieved many intelligent people maybe a lifetime also highly difficult to achieve.

人生就像各种各样的朱古力，你永远不会知道哪一块属于你。”阿甘母亲的话，向我们阐明了：每一个人的生命轨迹都是存在，而且是独一无二的。阿甘，正是听着这样的教诲，一步一个脚印地踩出属于自己的生活的奇迹。从智商只有75分而不得不进入特殊学校，到橄榄球健将，到越战英雄，到虾船船长，到跑遍美国，阿甘以先天缺陷的身躯，达到了许多智力健全的人也许终其一生也难以企及的高度。

求疯狂原始人和怪兽大学的英文影评，初二水平，每篇大约100字左右。

Amazingly, the digital effects that were so new in 1993 still look fresh and

convincing in 2013, perhaps even moreso than many of today’s films because

Spielberg uses them sparingly and thoughtfully, rather than just throwing pixels

at the screen in mass quantity. He also knows to mix the CGI (most of which was

pioneered by Industrial Light & Magic maestro Dennis Muren) with practical

effects, including life-size animatronic dinosaurs created by Stan Winston

(The Terminator). The result is a film that still works like gangbusters

in terms of inducing spontaneous chair-arm gripping and breath holding, while

time has allowed us to even better reciate the nuances of Spielberg’s

storytelling and the thematic undercurrents about the dangers of scientific and

technological hubris. Note, for example, the way Hammond, who is so genial and

jovial and grandfatherly in the opening passages, watches the others’ faces with

a sule look of gleeful perversity as a cow is lowered down into the

Velociraptor pen—he’s enjoying his power to an unnerving degree. Notice also the

mix of melancholy and catharsis in the film’s final moments, as Hammond looks

down at the mosquito-in-amber headpiece on his cane, realizing silently that his

dream is over, while Tim and Lex cuddle up next to Dr. Grant, the reluctant

surrogate father figure who saw them through the horrors. John Williams’

signature music may start soaring on cue, but there is still a twinge of pain

and regret, as we realize that the helicopter flying off into the sunset is not

a moment of triumph, but one of mere survival in the face of nature unleashed.

When it comes to the best movies that I think of, the two movies really impress me a lot: The Croods and Monsters University. Both of them are cartoons.

The Croods presents the whole Croods family go for their dream under the leader of a bre boy, making us belive that tomorrow is hope and everybody should control their own fate.

Monsters University is also a good one. With different kinds of ugly-looking guys, they make their effort to be sucessful. A cute guy with one eye finally overcome his own weakness with the help of the whole teamwork. 好久之前看的了，当时真是特别喜欢，没想到现在留在记忆里的只有这些了，觉得可能有错误的地方，实在记不清楚了，即使过了奖励时间，你也做个参考吧，不是为奖励来的，哈哈~~