高中英语影评模板_高一英语影评怎么写

1.英语影评 汽车总动员和暮光之城

2.求一篇英语作文（书评or影评） 高中水平，写的不用太好，语法错误也没关系。 150字左右。

3.阿凡达高中水平英文影评

4.高中生写的关于** 英雄 的英语影评

5.跪求俩篇英语写的**影评 卑鄙的我 赎罪 200词左右 高中水平

6.英语作文..急急急

7.火的战车 英文影评200字

This movie is why I he such a respect for imagination and creativity. James Cameron reportedly came up with the idea for this movie during a boring biology class, penning down his thoughts in a short story fashion, and then later making movie history by writing and directing The Abyss. Some of the best special effects I he ever seen to-date, and definitely some of the best under-water cinematography. The full story (almost 3 hours long on the special DVD version) is worth the watch, and is engrossing from beginning to end. This is definitely my fourite film of all time. It is hard to believe the film is over 10 years old and can still be so convincing and heart-touching. My respect goes out to Ed Harris who went through hell to portray his part--he deserves an OSCAR for it. Marie Elizabeth was also fantastic--the best death to life scene I he ever seen.

英语影评 汽车总动员和暮光之城

The Princess Diaries(公主日记)

The Princess Diaries is a modern day fairy tale about Mia who lives in San Francisco with her divorced mother. One day, her estranged grandmother comes to visit with a proposal for her: She would like Mia to be her successor and become Princess of Genovia. Hilarity ensues because Mia is pretty much a regular who is clumsy, awkward and in desperate need of a professional makeover, so she spends the next several weeks in etiquette lessons, getting "re-done" and trying to decide if being a princess is what she really wants in life.

The film was cute, at times extremely corny, but watcheable. It featured surprisingly decent acting by Hathaway, who made up for the horrible Mandy Moore. I especially enjoyed Hector Elizondo, a good character actor who was kind of hilarious doing his best Shaft impersonation as the Queen's head of security. Heather Matarazzo who was also featured as Mia's best friend, continues in her "quirky girl" tradition, but still can't live up to her role in Welcome to the Dollhouse.

This is one of the few "kid's movies" that I wouldn't hesitate to watch with a kid, because it's tolerable. It's also so predictable that if you snooze in the middle of it you won't miss anything when you wake up.

The Sisterhood of the Treling Pants(牛仔裤的夏天)

Carmen Lowell is working on the backstage of a play in Yale. When the lead actress and friend Julia invites her to trel to Vermont with her to work in a play with professional cast, she decides to stay with her friends and her pregnant mother. However she finds that Lena Kaligaris will trel to a course of drawing. Bridget Vreeland is in existential crisis missing her mother and decides to trel to an archaeological dig in Turkey. Tibby Tomko-Rollins is working in a rental and still editing her documentary. Therefore, Carmen accepts the invitation and trels to Vermont. She has a crush on the lead actor Ian, who convinces her to participate in an audition, and is invited by the director Bill Kerr to perform the lead female role. Later she finds the truth about the friendship of Julia. The broken-hearted Lena finds that Kostas has just married and she dates the model of her class. Bridget finds letters addressed to her from her grandmother that her father has hidden and she decides to visit her grandma, disclosing a secret about her mother. Tibby makes love with her boy-friend Brian McBrian but they he problems with the condom and she gets scared of a possible pregnancy. In the end, the girlfriends discover that their friendship is real and more than a pair of jeans.

求一篇英语作文（书评or影评） 高中水平，写的不用太好，语法错误也没关系。 150字左右。

汽车总动员：

awesome movie

I thought the story looked very lame from previews, and the concept didn't eal to me. But when I saw an early screening I was surprised, it was well written and well executed. They didn't overload the movie with automotive jokes, which I think would he hurt the story and character development. Owen Wilson's voice is great for his role. Overall, it's on par with other Pixar films, even if it may not be their best so far. The animation is superb, definitely the best they've done. Giving something like cars distinct personality and characterization seems like it would be pretty tough, and they do a great job with it. See this movie the day it opens.

暮光之城

Just trying to enjoy the movie for what it is

Don't spend your time comparing it to the book. If you just sit there comparing the book and the movie, you'll take the fun out of the movie itself. If you are a book reader, reading Midnight Sun really helps understand Edward's reactions and such. This is the best movie I've seen that has stayed the closest to the book as much as it could. I do understand why they made a few changes to please some of the moviegoers who hen't read the book. It ties things in a different but acceptable way. I loved how they interpreted the book. I understand that it was a movie so of course there was a little cheesiness at times. But hey, the book is geared towards a audiences regardless of the wide age range that actually reads it. I think Summit did a good job and should make New Moon.

阿凡达高中水平英文影评

Among the movies that I he ever seen , I like <<Who am I >> best. This is an action movie and its hero is Jack chen. In the film ,the hero lost his memory because of an unexpected accident. He tried his hard to finish his task in danger of losing his life. He had been in trouble for many times but he managed to get over them. During the time he gradually recovered his memory and realized his situation. With the help of many other kind people , he gradually got rid of many difficulties . The hero's optimistic attitude and his persistent spirit moved me most. It will inspire me to face all kinds of difficulties brely. It convinces me that only by working hard and persisting all the time can we he the chance to succeed. This film has very exciting plots, which makes us very interested in it .

高中生写的关于** 英雄 的英语影评

I he to admit that the film is such a wonder that I thought it is well worth watching in one's whole life. 'Avatar' is not just a film. Yes the view in it is really beautiful, charming, amazing, wonderful...I can use hundreds of words to discribe what I saw. The film is not just about the love story between a 'human' and a Na'vi princess, but also a educational file.

They, or should I say 'we' are miserly. We he already damaged too much on the earth. The environment has been destroyed, the water has been wasted, the air has been polluted, the forest has been cut, millions of animals he been killed and we can never see them again. It is just so sad! I just cannot stand it. We must live in harmony with the nature.

It's time to wake up! It's time for us to hang together just like brothers and sisters, to fight for our living areas. Come on!

译文：

不得不承认，这**真是奇迹，我想在人的一生中相当值得一看。“阿凡达”并不只是一部**。是的，那里面的画面真是美丽又迷人，精彩又奇特…我能用上百个词来描述我的所见。这**并不仅仅是一个关于人类和纳美公主的爱情故事，还是一部具有教育意义的片子。

他们，或许我应该称为“我们”是不幸的。我们早已在地球上破坏地太多了。环境被毁灭，水被浪费，空气被污染，森林被砍伐，数以百万计的动物被杀戮，我们再也见不到他们了。这真是太可悲了！我真是不能忍受。我们必须和自然和谐共存。

是时候觉醒了！是时候团结起来情同姐妹般，为我们的居住区而战了。加油吧！

跪求俩篇英语写的**影评 卑鄙的我 赎罪 200词左右 高中水平

Midway through the composition of this essay, I came across Jenny Kwok’s well-researched writings on the genesis and phenomenon of Zhang Yimou’s Hero (2004). In particular, her insight into the Chinese folkloric “wu xia” or chivalrous-swordsman fiction presents a fertile angle for criticism of this genre within the poetic (as opposed to sensationalistic) aspect of Hero’s martial arts choreography, framing and editing. Often, Zhang fors close-ups or a series of closer shots of the physical action instead of wide angles –used to show off physics-defying acrobatic firsts– because the martial arts function to a greater degree as metaphors. Nonetheless, an examination of this particular genre is beyond the scope of my essay, so Kwok’s analysis of Hero from the “wu xia” angle will more than suffice for now. This essay also forgoes comments on the all-star cast and the Hong Kong actors’ infrequent but detectable slips in their Mandarin accent. Another rain check goes to a critique of the imperfect CG special effects displayed in the Zhao-siege long shots, as compared to say a costlier Ridley Scott Hollywood epic. Furthermore, due to the dualist nature of the filmmakers’ intentions –of a blockbuster for the world and a culture-conscious film– Hero’s technical merit, both in its narrative structure and metaphorical showmanship, elevates it to a contemporary masterpiece, not a timeless work of art. Observations of this dualism is again credited to Jenny Kwok’s writings from her paper “Hero: China’s response to Hollywood globalization.”

英语作文..急急急

卑鄙的我：

Sometimes in the past while watching animated movies of all sorts, I've lulled myself into thinking most characters are interchangeable, in that it didn't matter who voiced the character, as long as they did it competently.

Now, after seeing and enjoying "Despicable Me" I'll never he those thoughts again. With absolute certainty I will say, Steve Carell voicing the main character Gru is what makes this movie rise above ordinary. He is just made for this kind of stuff and could make the rest of his career on it, never earing on screen himself.

Steve Carell's character, Gru, views himself as the most despicable person ever, anywhere. But suddenly he is upstaged by a young man, Vector, who steals the shrinking machine. We see this early on when tourists find out the great pyramid is an inflatable prop, because Vector shrunk the real one and stole it.

So Gru decides to steal the shrinking machine from Vector, and to pull the most audacious theft in history, will build a rocket to take him to the moon, shrink the moon, and bring it back with him.

Pretty ambitious stuff! But he needs help to get into Vector's fortress and, when he notices three orphan girls get in easily, decides to adopt the girls and use them in his scheme.

Somewhere along the path to his crimes Gru, the most despicable person on Earth, begins to care about the three girls, and that is the humanity of the story.

But all in all it is just a silly cartoon story, fun to watch, but Steve Carell with his superb vocal acting makes it worth seeing.

I was fascinated by the extras on the DVD. This movie was made by a large number of people scattered all over the world, never all at the same place. They used modern communications and linking technology to operate as one big team, rather than being physically together.

赎罪：

"Atonement" tells a story of a young girl (Saoirse Ronan) who witnesses a terrible thing which changes many lives dramatically. What is real and what is the truth? "Atonement" plays with these subjects.

Joe Wright has directed a brilliant drama where beautiful scenery and great story play the biggest part. The brilliant novel by Ian McEwan is fitted to the silver screen fantastically. The suspense is holding you tight in its grip. The music supports the movie and gives a delightful touch to the storytelling. The cast especially James McAvoy as Robbie and young and talented Saoirse Ronan as Briony deliver their roles with such a presence. The earance of Vanessa Redgre is great also. The episodic scene technique was imaginative and very mind-teasing which was a very essential ingredient to the plot.

It was very surprising that director Wright didn't get a Oscar nomination for his achievement. The screenplay of Christopher Hampton also lost in the Academy Awards. Both Wright and Hampton did a superb job. But this was clearly a year of the Coen brothers, very well earned of course. Gladly Dario Marianelli won the Golden Statue for best achievement in music.

"Atonement" is a clever, beautiful, emotional and touching experience. Definitely a worth watching!

火的战车 英文影评200字

《第九区》

Well, that wasn't supposed to hen. "District 9" was supposed to be another tired Man Versus Scary Alien late summer crapfest. Actually, when you think about the plot, it really should be a crapfest. "District 9" has absolutely no business being A Good Film. But, yet, here it is and here we are. We: the late summer movie going audience desperately seeking out... something... anything; one last eensy weensy morsel of precious, precious entertainment to use as an excuse to get out of the wretched heat of a mid-August sun . It: not content to be just A Good Film -- but, rather, A Great Film. And, on certain levels, maybe even An Important Film.

Whatever you think you know about "District 9" is, probably, wrong. "Well," you say, "It's about a reporter that discovers..." No. Wikus (Sharlto Copley), the main character, is not a reporter. He's a bureaucrat. "OK, fine" you contend, "he discovers the atrocities that are occurring in District 9 and fights to help..." Nope. Wikus is well aware of what's hening in the district and, at first, is part of a team that's making things a bit worse. "Well, there are big scary evil aliens, right?" Evil? No. Scary? Not really, ornery might be a better adjective. Aliens? Yes!

You see, "District 9" plays out quite realistically -- if, you know, a giant alien spaceship visited Earth. Twenty years ago a spacecraft ears over Johannesburg, South Africa, and, for awhile, absolutely nothing hens. Finally, a mission to the hovering ship is implemented and around one million sick and malnourished aliens are found. They're brought down to the city, a large scale humanitarian effort takes place. Samaritans from around the world arrive to help feed and shelter the visitors. What hens next? Well, what always hen when the news of the day shifts to another story? Except for the and a Nigerian gang who both he interest in their weapon technology, they're forgotten. (Remember those Iran elections the media cared so much about? Oh, yeah, you might not because Michael Jackson died.)

The aliens are far from evil -- writer and director Neill Blomkamp describes them as worker bees after the queen bee has died: a bit lost and without a purpose -- just neglected and, in terms of their life on Earth, quite poor. They live in a slum and absolutely no one wants them here -- especially the human residents of the slum. Wikus Van De Merwe is in charge -- a job he was given by his father-in-law -- of a relocation effort of the aliens from District 9 to the even less desirable District 10. Under South African law, each alien must be served an eviction notice. This is why Wikus and his team are in the district; to serve and he each alien sign a copy of his eviction notice.

Image ? Columbia Tristar Marketing Group, Inc.

Wikus does, eventually, take an interest in the aliens' well being. But not because Wikus has a sudden influx of morality or righteousness -- his motives are strictly selfish. There's a lot of selfishness at play in this film and not a lot to like about human behior. The most genuine character in the film is named Christopher Johnson -- you may be surprised who Christopher Johnson turns out to be.

It next to impossible to ignore -- considering the film's South African setting -- the underlying comparisons of the aliens' plight to that of apartheid. Blomkamp -- a South African native -- draws on his own experiences of his home country and transforms black and white racial tension to human and aliens on a surprisingly low 30 million dollar budget. This isn't a particularly scary film, but it is gory (Christ, is it gory) and it has something to say. The thing is: even if you completely ignore "District 9"'s themes, there are aliens and a lot of things explode -- people seem to enjoy that. As stated: "District 9" shouldn't really be a good film; it shouldn't be a great film. It is. "District 9" is the best film of the summer -- possibly, so far, the year.

2

Shot and set in Blomkamp's native South Africa, "District 9" imagines a present-day scenario in which humans and aliens are forced into an uneasy co-existence and, predictably, bring out the violent worst in each other. As scripted by Blomkamp and Terri Tatchell, the result reps a remarkably cohesive hybrid of creature feature and satirical mockumentary that elaborates on the helmer's 2005 short "Alive in Jo'burg," borrows plot points from 1988's "Alien Nation" and takes its emotional cues from "E.T."

The film's faux-verite visual style, however, is very much a thing of the present, blending handheld HD camerawork with ersatz news coverage (complete with CNN-style text scrolls) and talking heads, plus actual archival footage from local news agencies, so as to suggest an urgent dispatch from the front lines of an interspecies war.

The introductory 15 minutes are swiftly paced, making modest demands on the viewer to keep up with the jiggly aesthetic and the particulars of the premise: Twenty years ago, an enormous spaceship came to rest over Johannesburg, now a sun-scorched urban wasteland. Since then, the ship's inhabitants, referred to as "prawns" -- four-legged insectoid beings that walk upright, secrete black goo and speak in suitled grunts and gurgles -- he been moved into the titular ghetto and placed under the control of Multi-National United, a private corporation bent on cracking the secrets of the aliens' ultra-powerful weapons.

Into the fray strides Wikus van der Merwe (Sharlto Copley), an annoyingly chipper, boastful MNU operative overseeing the transfer of aliens to the more remote District 10. Blithely nigating cameramen through the creatures' filthy shack homes, Wikus accidentally comes into contact with an icky substance that, within hours, begins altering his DNA.

In the script's most ingenious gambit, the contaminated Wikus is suddenly coveted by MNU, as well as by a gang of Nigerian thugs and witch doctors who won't win the filmmakers any prizes for ethnic sensitivity. Forced into hiding, Wikus teams up with an intelligent, green-skinned prawn, Christopher Johnson (voiced by Jason Cope), and his kid, Little CJ, who's kinda cute in a hideous sort of way; together, they seek a way to reverse Wikus' alien metamorphosis and help the refugees return to their planet.

Rather than plunge the viewer immediately into unrelieved carnage and chaos, the film opens on a note of anxious uncertainty and tense humor as it probes the varying degrees of hostility in human-prawn relations. Though compelling throughout, "District 9" never becomes outright terrifying, largely because Blomkamp is less interested in exploiting his aliens for cheap scares than in holding up a mirror to our own bloodthirsty, xenophobic species.

That said, he doesn't skimp on the viscera; it's hard to watch the grisly climactic battle, with its parade of high-tech weaponry and exploding body parts, and not think of the horror cheapies Jackson was making pre-"Lord of the Rings." The pic does take a sentimental turn toward the end, with an excess of alien reaction shots that feel at odds with the much more authentic passion Blomkamp lovingly invests in his grotesque setpieces.

Copley makes the most of the only substantial human role -- and not an especially likable one at that -- with a twitchy, blustery, shifty-eyed performance of ferretlike intensity. Dropping F-bombs in Afrikaans-accented English, he ably conveys not only Wikus' physical transformation but also his mental deterioration and subsequent moral awakening; it's to the pic's credit that when Wikus is shown on the battlefield, his half-mutated body covered with festering wounds and alien protrusions, he has never seemed more profoundly human.

Lensed primarily on the Red-One camera, the film looks and sounds terrific, its seeming improvisation masking the obviously exhaustive planning required in all departments. The interactions between the aliens (a combo of f/x and old-fashioned prosthetics) and the humans are handled as confidently as anything in the "Transformers" movies and are arguably more impressive for d.p. Trent Opaloch's off-the-cuff shooting style. Clinton Shorter's percussive score is effective but at times over-reliant on the loud wailing/crooning that has become a too-easy signifier of Africa and other foreign locales.

3

第九区 英文影评 District 9 Movie Review

Throw another prawn on the barbie

I suppose there’s no reason the first alien race to reach the Earth shouldn’t look like what the cat threw up. After all, they love to eat cat food. The alien beings in “District 9,” nicknamed “prawns” because they look like a cross between lobsters and grasshoppers, arrive in a space ship that hovers over Johannesburg. Found inside, huddled together and starving to death, are the aliens, who benefit from a humanitarian impulse to relocate them to a location on the ground.

Here they become not welcomed but feared, and their camp turns into a prison. Fearing alien attacks, humans demand they be resettled far from town, and a clueless bureaucrat named Wikus van der Merwe (Sharlto Copley) is placed in charge of this task. The creatures are not eager to move. A private security force, headed by van der Merwe, moves in with armored vehicles and flame-throwers to encourage them, and van der Merwe cheerfully destroys houses full of their young.

Who are these aliens? Where did they come from? How did their ship arently run out of power (except what’s necessary to levitate its massive tonnage?). No one asks: They’re here, we don’t like them, get them out of town. There doesn’t seem to be a lot to like. In earance, they’re loathsome, in behior disgusting and evoke so little sympathy that killing one is like — why, like dropping a 7-foot lobster into boiling water.

This science-fiction fable, directed by newcomer Neill Blomkamp and produced by Peter (“The Lord of the Rings”) Jackson, takes the form of a mockumentary about van der Merwe’s relocation campaign, his infection by an alien virus, his own refuge in District 9 and his partnership with the only alien who behes intelligently and reveals, dare we say, human emotions. This alien, named Christopher Johnson — yes, Christopher Johnson — has a secret workspace where he prepares to return to the mothership and help his people.

Much of the plot involves the obsession of the private security firm in learning the secret of the alien weapons, which humans cannot operate. Curiously, none of these weapons seem superior to those of the humans and aren’t used to much effect by the aliens in their own defense. Never mind. After van der Merwe grows a lobster claw in place of a hand, he can operate the weapons, and thus becomes the quarry of both the security company and the Nigerian gangsters, who exploit the aliens by selling them cat food. All of this is presented very seriously.

The film’s South African setting brings up inescapable parallels with its now-defunct apartheid system of racial segregation. Many of them are obvious, such as the action to move a race out of the city and to a remote location. Others will be more pointed in South Africa. The title “District 9” evokes Cape Town’s historic District 6, where Cape Coloureds (as they were called then) owned homes and businesses for many years before being bulldozed out and relocated. The hero’s name, van der Merwe, is not only a common name for Afrikaners, the white South Africans of Dutch descent, but also the name of the protagonist of van der Merwe jokes, of which the point is that the hero is stupid. Nor would it escape a South African ear that the alien language incorporates clicking sounds, just as Bantu, the language of a large group of African apartheid targets.

Certainly this van der Merwe isn’t the brightest bulb on the tree. Wearing a sweater vest over a short-sleeve shirt, he walks up to alien shanties and asks them to sign a relocation consent form. He has little sense of caution, which is why he finds himself in his eventual predicament. What Neill Blomkamp somehow does is make Christopher Johnson and his son, Little CJ, sympathetic despite earances. This is achieved by giving them, but no other aliens, human body language, and little CJ even gets big wet eyes, like E.T.

“District 9” does a lot of things right, including giving us aliens to remind us not everyone who comes in a spaceship need be angelic, octopod or stainless steel. They are certainly alien, all right. It is also a seamless merger of the mockumentary and special effects (the aliens are CGI). And there’s a harsh parable here about the alienation and treatment of refugees.

But the third act is disointing, involving standard shoot-out action. No attempt is made to resolve the situation, and if that’s a hy ending, I’ve seen hier. Despite its creativity, the movie remains space opera and oids the higher realms of science-fiction.

I’ll be interested to see if general audiences go for these aliens. I said they’re loathsome and disgusting, and I don’t think that’s just me. The movie mentions Nigerian prostitutes servicing the aliens, but wisely refrains from entertaining us with this spectacle.

《心灵捕手》

In essence, Good Will Hunting is an ordinary story told well. Taken as a whole, there's little that's special about this tale -- it follows a traditional narrative path, lees the audience with a warm, fuzzy feeling, and never really challenges or surprises us. But it's intelligently written (with dialogue that is occasionally brilliant), strongly directed, and nicely acted. So, while Good Will Hunting is far from a late-year masterpiece, it's a worthwhile sample of entertainment.

Like Scent of a Woman, which was released around this time of the season five years ago, Good Will Hunting is about the unlikely friendship that develops between a world-weary veteran and a cocky young man. The formula for the two films is similar -- both of the principals learn from each other as they slowly break down their barriers on the way to a better understanding of life and their place in it -- but the characters are different. Al Pacino's Slade was a larger-than-life individual; Robin Williams' Sean McGuire is much more sule. And Matt Damon's Will Hunting uses pugnaciousness to supplant the blandness of Chris O'Donnell's Charlie.

Will is a troubled individual. As a child, he was the frequent victim of abuse. An orphan, he was in and out of foster homes on a regular basis. Now, not yet 21 years old, he has accumulated an impressive rap sheet. He has a short temper and any little incident can set him off like a spark in a tinder box. But he's a mathematical genius with a photographic memory and the ability to conceive simple solutions to complex problems. While working as a janitor at MIT, he delights in anonymously proving theorems on the math building's hall blackboards. Then, one evening, his anonymity is shattered when Professor Lambeau (Stellan Skarsgard) catches him at work. Will flees, but Lambeau tracks him down. Unfortunately, by the time the professor finds him, Will is in jail for assaulting a police offer.

The judge agrees to release Will under two conditions: that he spend one day a week meeting with Lambeau and that he spend one day a week meeting with a therapist. Eventually, once several psychologists he rejected the belligerent young man, Sean McGuire, a teacher at Bunker Hill Community College, agrees to take the case. After a rocky start, the two form a rort and Will begins to explore issues and emotions he had walled up behind impregnable armor. And, as Will advances his self-awareness in sessions with Sean, he also learns about friendship from his buddy, Chuckie (Ben Affleck), and love from a Harvard co-ed named Skylar (Minnie Driver).

The script, by co-stars Matt Damon and Ben Affleck, is not a groundbreaking piece of literature, and occasionally resorts to shameless manipulation. The characters are well-developed, however, and there are times when the dialogue positively sparkles. At one point, Will comments that a session with Sean is turning into a "Taster's Choice Moment." Later, Will gives a brilliant, breathless diatribe against the NSA that has the rhythm of something written by Kevin Smith. (Note: Since Smith co-executive produced Good Will Hunting, it's not out of the question that he had some input into this scene.)

Director Gus Van Sant (Drugstore Cowboy, To Die For) culls genuine emotion from his actors, and this results in several affecting and powerful scenes. There's an edginess to some of the Sean/Will therapy sessions, and the offscreen chemistry between Matt Damon and Minnie Driver (who became romantically linked while making this film) translates effectively to the movie -- the Will/Skylar relationship is electric. Likewise, the companionability of Damon and Affleck is arent in the easygoing nature of Will and Chuckie's friendship. Many of the individual scenes are strong enough to earn Good Will Hunting a recommendation, even if the overall story is somewhat generic.

Matt Damon, who recently starred as the idealistic young lawyer in The Rainmaker, is solid (although not spectacular) as Will. Minnie Driver (last seen in Grosse Pointe Blank) adds another strong performance to a growing resume (and it's refreshing that she was allowed to keep her British accent rather than hing to attempt an American one). The outstanding performance of the film belongs to Robin Williams, whose Sean is sad and wise, funny and somber. Arguably the best dramatic work in the actor's career (alongside what he did in The Fisher King), Williams' portrayal could earn him a Best Supporting Actor Oscar nomination. Adequate support is provided by Ben Affleck (Chasing Amy) and Stellan Skarsgard (Breaking the Wes).

Like most of what comes before it, the ending of Good Will Hunting is completely predictable. But meeting expectations and following a familiar path aren't always bad things in a movie, provided the film accomplishes those goals with a modicum of style and an attention to detail. Good Will Hunting does both, and, as a result, earns a rating commensurate with the "good" in the title.

2

When I saw this movie, I decided that this movie reminded me of an old Pilgrim movie (wait, I'm not through). In the old Pilgrim or any sea-faring movie, there was usually a scene in which the flour barrel was opened, and found to be teeming with vermin of one sort or another. There was plenty of good flour in there, but you had to get past/through the vermin. I feel that there is a tremendous movie underneath the vermin in this movie (the blatant profanity; the obigatory love scene though it was toned down; and the violence of a basketball court fight). Once you get past the vermin, you can enjoy the sensitivity of this movie. It was worth seeing. On a Christian level, there's little to say good about this film. Robin Williams made a good counselor, but Jesus is still the best there is at healing wounds.

3

Foul language and ual content—fabulous theme and acting. A christian friend told me that if I could get past the langauage, this is a superb and powerful film. I agree. The language and filthy content is overboard even considering the ghetto-like environment. I would suggest, however, that Jesus would hang out with people like these. Moreover, I found the themes of friendship, love and facing one's past and emotional confusion to be inspiring indeed. Robin Williams definitely deserves his Academy Award for best supporting actor, and this is a very well written movie.

The story, told in flashback, of two young British sprinters competing for fame in the 1924 Olympics. Eric, a devout Scottish missionary runs because he knows it must please God. Harold, the son of a newly rich Jew runs to prove his place in Cambridge society. In a warmup 100 meter race, Eric defeats Harold, who hires a pro trainer to prepare him. Eric, whose qualifying heat is scheduled for a Sunday, refuses to run despite pressure from the Olympic committee. A compromise is reached when a nobl eman allows Eric to compete in his 400 meter slot. Eric and Harold win their respective races and go on to achieve fame as missionary and businessman/athletic advocate, respectively.